382 replies to this topic

[Mac]

Miyamoto Musashi






"During his lifetime Musashi was as famous for his artwork as for his fighting skill. He created remarkable paintings, as well as work in clay, wood and metal, calligraphy, poems and songs. Some of his works have been declared National Treasures. "

more here

[tanjajedaska]

Zbog ovog danskog orguljaša je Bah pešačio više od 200 km da bi ga slušao i od njega je učio...
Kao što piše:
Dietrich Buxtehude: 1637-1707

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Successor to Franz Tunder at Lübeck's Church of Mary in 1668, Buxtehude began the tradition of Abendmusiken five years later. The annual concert series began the fifth Sunday before Christmas and featured sacred works for organ, choir and orchestra (a lasting tradition in that church for 137 years). In 1705 Bach walked 250 miles from Arnstadt to attend the Abendmusiken and overstayed his leave by three months. Buxtehude was known in his lifetime chiefly as an organ virtuoso and teacher whose students included Bruhns. In a letter to Forkel, Carl Philipp Emanuel identified Buxtehude as a composer whose works his father much admired.

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Ploča nema, naravno, ali ostale su tzv, primenjene kompozicije, koje su jednako vredne kao Bahovi korali od sat i po, koji su prvi put objavljeni pre desetak godina na jednom mestu...
Portret ne zna se da li je sačuvan.

[pal]

In 1705 Bach walked 250 miles from Arnstadt to attend the Abendmusiken and overstayed his leave by three months.[/b

FANTASTISCH !!!

[tanjajedaska]

Džoni Roten,



Umetnik »osobenog izraza«, podigao umeće roka na nivo samosvesnog podrugivanja u duhu nove filozofije Kolakovskog. Privatno dobrica, što se odmah ne vidi znog preobilja neurotičnih nuspojava ( a gde to ima umetnik da je »čitav«?)
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Da li je, ipak, pank umetnost?
Isto koliko i Betovenova muzika. Štaviše. Posle Betovena, tek pank revitalizuje muziku u kantovskom smislu elevacije ružnoće, koja ružnoća i sama dovodi do bezinteresnog zadovoljstva, čim se revidira Voringerovo stanovište o sktroversiji kod "ružnoće".
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Reč je o izgubljenom jedinstvu duha i tela u IZVOĐENJU muzike: naime, samo kod Betovenove muzike i u Bahovom sviranju orgulja je čovek kao muzičar REPRODUKTIVAC bio angažovan ceo. Bez tog manuelnog spoja, bez angažovanja motoričkog dela našeg tela, muzika postaje kič, jalova kontemplacija, čisti paroksizam u samodovljnosti...
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Klint Istvud u «Bledom jahaču»: «Duh bez fizičke vežbe ne znači mnogo.»
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Negativno osećanje prema «ružnom» se, prema Kantu, koriguje kritičkim/etičkim reagovanjem, a po Voringeru je eč o distanci od života – ergo, o socijalnoj kritici V. Britanije 1970tih u slučaju Rottena. Nije ni čudo da je upravo kič osećanje najviše ugroženo pankom, jer on izaziva kritičku refleksiju u odnosu na drruštvo i ruši kič senzibilitet; senzibilitet koji opravdava samog sebe i lošu beskonačnost Britanije 1970tih...
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Dakle, uspostavljanje ravnoteže između fizičke aktivnosti i muzike se događa 1970tih. I to je totalitet, to je PANESTETIZAM, jer estetizacija pokriva ne samo čin stvaranja i izvođenja, već se preliva na život u celini, na način odevanja, jezik svakodnevice. Život je frizira je odevanje ... u još-ne-muzici, po Blohovoj terminologiji.
I to je štaviše estetika negativnog, koja tera na umovanje, što je najviše plašilo moraliste toga vremena.
Ironija je i to loša da su upravo nosioci kravata na najgori način celu industriju lakih nota zasnovali na opanjkavanju pankera zbog «lakoh bogaćenja» i zbog «skorojevićstva», «pozerstva», dok je upravo trala-la-la muzika poza po prirodi i iz principa; oportunizam im omogućava i оpstanak i život.
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Kritika panka je tako kritika same sebe, jer epigonstvo, ketmanstvo, odbrana svega postojećeg, kontrolisani bunt (još gori od bunta bez razloga) jesu upravo karakteristike «teoretičara novog romantizma»...

Edited by tanjajedaska, 28 December 2003 - 19:37.

[Hefestus]

Džoni Roten,

My all time favorite! Genije, u svakom pogledu.
Gledao sam ih 1976 u 100 Oxford st Club, mozda i nesto ranije. Ovo je jedan od legendarnih jazz/blues klubova u Londonu. Utorkom je bio alternate/blues vece. Tada jos nisam znao, a verovatno i vecina sta su Sex Pistols. To su bile neverovatne svirke.
To je takva energije kao da je neko aktivirao portable nuke u klubu. Od tada sam ih geledao nekoliko puta a kasnije i P.I.L.

Pank je def art tj art of being


Gentle pretty thing
Who only had one spring
You bravely faced the world
Ready for anything
I'm happy that you lived
For your life is mine
What have I except to cry
Spirit never die
Birds of the air
Beasts of the earth
Overjoyed at Bambi's birth they gambolled in the glade

[Chorus]
Who killed Bambi? [x9]

Murder murder murder
Someone should be angry
The crime of the century
Who shot little Bambi
Never trust a hippie
'Cause I love punky Bambi
I'll kill to find the killer
In that rotten roll army
All the spikey punkers
Believers in the ruins
With one big shout
They all cry out
Who killed Bambi?

Edited by Hefestus, 28 December 2003 - 20:52.

[darky]

http://www.ku.edu/~s.../mattaclark.jpg


Evo jos jednog od mojih omiljenih umetnika:

Gordon Matta-Clark 1943-1978

Kreirao je oduzimajuci (putem eliminacije postojeceg). Uglavnom je radio na napustenim objektima. Za svoje intervencije je retko imao dozvolu tako da je cesto svoje dela stvarao ilegalno. GMC-ovi radovi danas postoje vecinom [ako ne i samo] na fotografijama. Ono sto mene odusevljava u tim radovima je to sto koristeci, u princpu, jednostavan metod eliminacije postize fenooomenalno apstraktan pejsaz. Znaci, igrajuci se dobro poznatim, tj. manipulisuci to dobro poznato postize rezultat, maltene, dezorijentacije. Na zalost nemam mnogo fotki/imidza enterijera Splitting-a (Splitting 1974, 322 Humphrey Street, Englewood, New Jersey) sem gore navedenog linka. Medjutim ako nekog interesuje vise pod obavezno da pogleda sledecu knjigu = 'Object to be destroyed'.

Jos jedan umetnik koji podjednako voli da nas podseca na prostor (i vreme) u kojem zivimo a koji cesto uzimamo zdravo za gotovo, jeste Allan Wexler.
Izuzetno gotivim njegove radove (posebno: The Vinyl Milford, 1994 + instalacija u Mattress Factory Gallery u Pittsburgh-u + Coffee Seeks its Own Level, 1990 + stolice...).


Evo sta o njemu kaze Betsky (a ja se po tom pitanju sasvim slazem s Aaronom ) =


"Allan Wexler is an artist whose gallery objects brings us back to first thing: how we keep rain off our heads, how we define space, how we measure our time. He elaborates on these simple acts in form. This is the core of his work. It is a type of experimentation with what we think we know: his work confronts us with the unknowability of even the simplest aspects of our daily lives. Wexler accomplishes this revelation in scale models of our reality. He reduces the complexity of our routines into totemic objects... What remains inherent throughout his work is the sense of experimentation - an investigation that operates as an extension of our ability to be at home in the world, to remake our reality, and to question our existence through what we make."


Ovo sam pozajmila s' Wexlerovog sajta, tako ako vas interesuje nesto vise o njemu i njegovim radovima/projektima pogledajte =


http://www.allanwexlerstudio.com/

[Hippie]

mmmmmm ....well, ne smem da kazem bas, jer neki ce odma da mi se nakace .....ali uzivam, i to total and utter, u njegovim pisanijama .....thank you my dear friend xxxxxx xxxxxxxxx where ever you are B)

[darky]

[Bustin]

Nekidan sam bio na izlozbi (priicno veliki broj radova)
ROY LICHTENSTEIN-a u Louisiani










sjajno!

[lilija]

Hundertwasser -- spirala u Darmstadt-u, okrugle sobe, sareno i lepooo... Torta!

http://www.gunter-ha...ektur frame.htm

ali ta radost mora da se oseti live kao i ovaj bol:

http://home.snafu.de.../KWG-Kirche.jpg


ps.Na zalost nisam nasla bolje fotke ovih objekata!

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Pa onda volim: Caravaggio, Michelangelo Merisi -- http://www.ibiblio.o...uth/caravaggio/
mracan i lud.

A kako vam se cini ovaj cudni covek? (naivac, Slovenac, Tisnikar)
http://www.glu-sg.si...rjevazbirka.htm
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Drago mi je da sam ovde saznala neke nove momente u umetnosti!

[darky]

ali ta radost mora da se oseti live kao i ovaj bol:

http://home.snafu.de.../KWG-Kirche.jpg


ps.Na zalost nisam nasla bolje fotke ovih objekata!




A kako vam se cini ovaj cudni covek? (naivac, Slovenac, Tisnikar)
http://www.glu-sg.si...rjevazbirka.htm

Tisnikar zaista deluje interesantno.



A apropo boli, tj. oziljaka u arhitekturi, jedan od nezaobilaznih je Lebbeus Woods (izuzetna knjiga [izmedju ostalih]: War and Architecture | Rat i Arhitektura, Princeton Architectural Press; 1994) =

[poveci imidz, znam]

[tanjajedaska]

Već sam ga spominjala, u vezi sa "nostalgijom"...
Evo sad slike ili dve...



Giorgio De Chirico
(1888-1978)

1888-1906 Giorgio de Chirico was born in Volos - Greece, where his father was working as a railroad engineer. He studied at the Athens School of Fine Arts, Greece.
1906-10 He continued his studies at the Fine Arts Academy of Munich, Germany.
1910 He inspired the concept of Metaphysical Painting, by creating the "Enigma of the Oracle" and the "The Enigma of an Autumn Afternoon"
1911-15 He moved to Paris where he met with the Avant-Garde of that period.
1915 He moved to Ferrara, Italy.
1920 End of the Metaphysical period. He settled in Rome and declared a return to Traditional. He copies Botticelli, Raphael and Michelangello.
1925 He returned to Paris, where he was received with enthusiasm by the Surrealists since they considered him to be their precursor. Shortly thereafter he withdrew from this circle. He wrote his book "Hebdomeros", where he renounced all of his work before 1920, the most important part of his whole creation.

[Diskutant]

David Cerny









...o ovoj poslednjoj: kada proviris u "salter", unutra na platnu projektovanog vidis Vaclav Klausa koji na kasiku hrani ceskog ministra kulture. Vrrrlo angazovano.

[tanjajedaska]

Pomenula sam već Jørn-a Utzon-a, autora Sidnejske opere. Evo još nekoliko njegovih građevina...

[tanjajedaska]

A Uconov učitelj je bio Ojler Rasmusen, autor jednog od najčuvenijeg udžbenika arhitekture EXPERIENCE OF THE ARCHITECTURE... Njegova knjiga LONDON, Unique City, je najbolja knjiga o arhitekturi Londona ikda napisana...

Steen Eiler Rasmussen (1898-1990): Architect, city planner, writer. Educated at The Royal Danish Academy of Fine Arts, professor at The Royal Danish Academy of Fine Arts, School of Architecture 1928-68. After a few years of studies at the Academy (1916-18), Steen Eiler Rasmussen in 1919 won first prize in competitions on city planning for the Danish towns of Ringsted and Hirtshals. Member of The Danish Town Planning Institute 1924, chairman 1942-48. Chairman of the Regional Planning Office for Greater Copenhagen 1945-58. In this connection he helped develop, among other things, the Fingerplan (1947), the first Danish urban development plan. Steen Eiler Rasmussen is best known to a greater public for his activities as a writer and communicator in the books London (1934), Byer og Bygninger (Cities and Buildings) (1949) Om at opleve arkitektur (About Experiencing Architecture) (1957), Essays gennem Mange År (Essays over many years) (1968), Bogen om København (The Book about Copenhagen) (1969, later published in a revised edition 1994). Member of The Danish Academy 1961

Edited by tanjajedaska, 27 January 2004 - 17:57.