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#16 Hippie

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Posted 23 September 2003 - 03:18

muski su muski
zene su zene.

Muskarci su s Marsa, zene su sa Venere. :lol: :lol:

#17 zzzzz

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Posted 23 September 2003 - 19:46

Queen
Album: Jazz (1978)
BICYCLE RACE

Bicycle bicycle bicycle
I want to ride my bicycle bicycle bicycle
I want to ride my bicycle
I want to ride my bike
I want to ride my bicycle
I want to ride it where I like

You say black I say white
You say bark I say bite
You say shark I say hey man
Jaws was never my scene
And I don't like Star Wars
You say Rolls I say Royce
You say God give me a choice
You say Lord I say Christ
I don't believe in Peter Pan
Frankenstein or Superman
All I wanna do is

Bicycle bicycle bicycle
I want to ride my bicycle bicycle bicycle
I want to ride my bicycle
I want to ride my bike
I want to ride my bicycle
I want to ride my
Bicycle races are coming your way
So forget all your duties oh yeah!
Fat bottomed girls they'll be riding today
So look out for those beauties oh yeah
On your marks get set go
Bicycle race bicycle race bicycle race
Bicycle bicycle bicycle
I want to ride my bicycle
Bicycle bicycle bicycle
Bicycle race

You say coke I say caine
You say John I say Wayne
Hot dog I say cool it man
I don't wanna be the President of America
You say smile I say cheese
Cartier I say please
Income tax I say Jesus
I don't wanna be a candidate
For Vietnam or Watergate
Cos all I want to do is

Bicycle bicycle bicycle
I want to ride my bicycle bicycle bicycle
I want to ride my bicycle
I want to ride my bike
I want to ride my bicycle
I want to ride it where I like

Edited by zzzzz, 23 September 2003 - 19:49.


#18 voja i

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Posted 23 September 2003 - 22:08

Devo · Q: Are We Not Men? A: We Are Devo!


8. Gut Feeling/(Slap Your Mammy)

Something about the way you taste
Makes me want to clear my throat
There's a message to your movements
That really gets my goat
I looked for sniffy linings
But you're rotten to the core
I've had just about all i can take
You know i can't take it no more
Got a gut feeling

Centered 'round long time ago
On your ability to torment
Then you took your tongs of love
And stripped away my garment
Got a gut feeling

Slap your mammy down
Slap your pappy down again
Oh move it up and down now
Oh move it all around now


10. Sloppy (I Saw My Baby Gettin')

I SAW MY BABY YESTERDAY
SHE SPENT HER MONEY ON A CAR
I DIDN'T GET HER VERY FAR
SO MY BABY SAID TO ME
YOU KNOW MY BABY SHE
SAID SLOPPY
I THINK I MISSED THE HOLE


11. Shrivel-up

Well it's a god-given fact (that
You can't go back)
It's a god-given law that
You're gonna lose your maw
It's a god-given fact you gotta
Buy'em by the sack
It's a god-given law that
You're gonna get small
May be just another rap but
You're running out of sap
Well you better take the rap
Dying under daddy's cap
It's at the top of the list
That you can't get pissed
It's rule #1 living right isn't fun
Time-tested and true you
Gotta pooty poo-poo

#19 zzzzz

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Posted 25 September 2003 - 04:14

The Smiths
Album: Strangeways, Here We Come (1987)
Last Night I Dreamt That Somebody Loved Me

Last night I dreamt
That somebody loved me
No hope, no harm
Just another false alarm

Last night I felt
Real arms around me
No hope, no harm
Just another false alarm

So tell me how to love
Before the last one
And tell me how to love
Before the right one

This story is old,
I know,
But it goes on
This story is old,
I know,
But it goes on

...goes on...

#20 voja i

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Posted 26 September 2003 - 08:32

Muse Plug In Baby lyrics

I've exposed your lies, baby
The underneath is no big surprise
Now it's time for changing
And cleansing everything
To forget your love

My plug in baby
Crucifies my enemies
When I'm tired of giving
My plug in baby
In unbroken virgin realities
Is tired of living

Don't confuse
Baby you're gonna lose
You're own game
Change me
And place the envying
To forget your love

My plug in baby
Crucifies my enemies
When I'm tired of giving
My plug in baby
In unbroken virgin realities
Is tired of living

And I feel your loving,
Baby
And I've been in trouble

#21 Cvija

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Posted 26 September 2003 - 08:46

Muse Plug In Baby

Kakva pesma!!! :lol:

#22 voja i

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Posted 26 September 2003 - 08:49

Kakva pesma!!! :lol:

only copy&paste permited



#23 Cvija

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Posted 26 September 2003 - 09:17

Ih bre al' si strog vojo i...

An old cowboy dressed to kill with cowboy shirt, hat, jeans, spurs and
chaps went to a bar and ordered a drink. As he sat there sipping his
whiskey, a young lady sat down next to him. After she ordered her drink
she turned to the cowboy and asked him, "Are you a real cowboy?" He
replied, "Well, I have spent my whole life on the ranch, herding cows,
breaking horses, mending fences, I guess I am."

After a short time the Cowboy asked the girl, "... and what are you"? She
replied, "I've never been on a ranch so I'm not a cowboy, but I am a
lesbian. I spend my whole day thinking about women. As soon as I get up in
the morning I think of women, when I eat, shower, watch TV, everything
seems to make me think of women."

A short while later she left and the cowboy ordered another drink. A
couple sat down next to him and asked, "Are you a real cowboy?"; To which
he replied, "I always thought I was, but I just found out that I'm a
lesbian."


#24 sabahudin

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Posted 26 September 2003 - 10:34

sabah (11:22 AM) :
Knife attacker held for Lindh's murder

A 24-year-old man of Yugoslavian origin who has a history of knife attacks is being held by Swedish police probing the murder of Foreign Minister Anna Lindh.

The suspect, who has not been publicly identified by authorities, was arrested yesterday, the same day police released a first suspect after holding him for a week.

A police source confirmed the new suspect's identity but said they would not release his photograph until tomorrow.

The man, apparently of Yugoslav origin , has prior convictions of stabbing his father repeatedly in the back with a knife, illegal gun possession and making threatening phone calls to two women, court documents show.

Lindh was stabbed in the chest, stomach and arms by an unknown assailant on September 10 while shopping with a friend at a crowded Stockholm department store. She died from her injuries a day later.

The Stockholm district court said it received a request for a detention order, which would allow police to hold the man for two weeks as they continue gathering evidence. A detention hearing is set for tomorrow.

© Associated Press

sabah (11:24 AM) :
Anu Lind ubio Mihajlo iz Mladenovca
Prema izvestajima svedskih medija policija je uhapsila Srbina Mihajla Mihajlovica, starog 25 godina zbog osnovane sumnje da je 10. septembra u trznom centru u Stokholmu nozem ubio Anu Lind, svedsku ministarku spoljnih poslova. Istraga o ubistvu najpopularnije svedske politicarke koje se dogodilo samo dva dana uoci referenduma o uvodjenju evra tako je dobila neocekivani obrt. Policija je nekoliko dana posle zlocina uhapsila jednog osumnjicenog, da bi ga u sredu popodne pustila uz obrazlozenje da nema dovoljno dokaza.



Sandra (11:25 AM) :
gospode boze. kakav uzas! da ne poverujes.
sabah (11:25 AM) :
sjebali smo se
za sva vremena
Sandra (11:28 AM) :
ali skroz. treba nas istrebiti sa lica zemlje. mi smo poshast a ne narod.


Sandra (11:36 AM) :
sjebali smo se skroz. nikad nam nece ukinuti vize. necemo moci da mrdnemo iz ove bedare.

Edited by sabahudin, 26 September 2003 - 10:37.


#25 jamie

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Posted 26 September 2003 - 20:48

panic on the streets of london
panic on the streets of birmingham
i wonder to myself
could life ever be sane again
on the leeds side-streets that you slip down
i wonder to myself
hopes may rise on the grasmeres
but honey-pie, you're not safe here
so you run down
to the safety of the town
but there's panic on the streets of carlisle
dublin, dundee, humberside
i wonder to myself
burn down the disco
hang the blessed dj
because the music that they constantly play
IT SAYS NOTHING TO ME ABOUT MY LIFE
hang the blessed dj
because the music they constantly play
on the leeds side-streets that you slip down
on the provincial towns that you jog 'round
hang the dj, hang the dj, hang the dj,
hang the dj, hang the dj, hang the dj,
hang the dj, hang the dj, hang the dj,
hang the dj, hang the dj, hang the dj...

#26 reg

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Posted 27 September 2003 - 00:59

Polydor POSP 113 GOING UNDERGROUND/THE DREAMS OF CHILDREN

Polydor POSPJ 113 GOING UNDERGROUND/THE DREAMS OF CHILDREN
2816 024 AWAY FROM THE NUMBERS (live)/THE MODERN WORLD (live)/ DOWN IN THE TUBE STATION AT MIDNIGHT (live)
(100,000 limited edition double pack)
(Released March 1980 - Highest chart placing #1)

GOING UNDERGROUND - Paul Weller
Some people might say my life is in a rut,
But I'm quite happy with what I got
People might say that I should strive for more,
But I'm so happy I can't see the point.
Somethings happening here today
A show of strength with your boy's brigade and,
I'm so happy and you're so kind
You want more money - of course I don't mind
To buy nuclear textbooks for atomic crimes

And the public gets what the public wants
But I want nothing this society's got -
I'm going underground, (going underground)
Well the brass bands play and feet start to pound
Going underground, (going underground)
Well let the boys all sing and the boys all shout for tomorrow

Some people might get some pleasure out of hate
Me, I've enough already on my plate
People might need some tension to relax
Mem, I'm too busy dodging between the flak

What you see is what you get
You've made your bed, you better lie in it
You choose your leaders and place your trust
As their lies wash you down and their promises rust
You'll see kidney machines replaced by rockets and guns

And the public wants what the public gets
But I don't get what this society wants
I'm going underground, (going underground)
Well the brass bands play and feet start to pound
Going underground, (going underground)
Well let the boys all sing and the boys all shout for tomorrow

We talk and talk until my head explodes
I turn on the news and my body froze
The braying sheep on my TV screen
Make this boy shout, make this boy scream!

Going underground, I'm going underground!

#27 voja i

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Posted 27 September 2003 - 01:38

Polydor POSP 113 GOING UNDERGROUND/THE DREAMS OF CHILDREN

Polydor POSPJ 113 GOING UNDERGROUND/THE DREAMS OF CHILDREN
2816 024 AWAY FROM THE NUMBERS (live)/THE MODERN WORLD (live)/ DOWN IN THE TUBE STATION AT MIDNIGHT (live)
(100,000 limited edition double pack)
(Released March 1980 - Highest chart placing #1)

The distant echo -
of faraway voices boarding faraway trains
To take them home to
the ones that they love and who love them forever
The glazed, dirty steps - repeat my own and reflect my thoughts
Cold and uninviting, partially naked
Except for toffee wrapers and this morning's paper
Mr. Jones got run down
Headlines of death and sorrow - they tell of tomorrow
Madmen on the rampage
And I'm down in the tube station at midnight
I fumble for change - and pull out the Queen
Smiling, beguiling
I put in the money and pull out a plum
Behind me
Whispers in the shadows - gruff blazing voices
Hating, waiting
"Hey boy" they shout - "have you got any money?"
And I said - "I've a little money and a take away curry,
I'm on my way home to my wife.
She'll be lining up the cutlery,
You know she's expecting me
Polishing the glasses and pulling out the cork"
And I'm down in the tube station at midnight

I first felt a fist, and then a kick
I could now smell their breath
They smelt of pubs and Wormwood Scrubs
And too many right wing meetings
My life swam around me
It took a look and drowned me in its own existence
The smell of brown leather
It blended in with the weather
It filled my eyes, ears, nose and mouth
It blocked all my senses
Couldn't see, hear, speak any longer
And I'm down in the tube station at midnight
I said I was down in the tube station at midnight

The last thing that I saw
As I lay there on the floor
Was "Jesus Saves" painted by an atheist nutter
And a British Rail poster read "Have an Awayday - a cheap holiday -
Do it today!"
I glanced back on my life
And thought about my wife
'Cause they took the keys - and she'll think it's me
And I'm down in the tube station at midnight
The wine will be flat and the curry's gone cold
I'm down in the tube station at midnight
Don't want to go down in a tube station at midnight

#28 reg

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Posted 27 September 2003 - 02:20

Buzzcocks
The following article is actually two separate pieces. The first originally appeared in NFH #7 in December 1981 shortly after the Buzzcocks first split up. The title of the article was "High Performance Band Hits Skids". It was written jointly by me and an old pal of mine named Brian Maitland (Brian actually wrote most of it, as I recall), who lived in Vancouver in those days and was a good friend and huge fan of the Modernettes. Anybody know whatever happened to Brian? Haven’t heard from him in years.

The second article was written right after the first Buzzcocks re-union tour and appeared in NFH #18 in the winter of 1990.

Time continues to take its toll on the pioneers of punk. The Buzzcocks, one of the brighter pupils in the school of thought that made up England’s original punk explosion, are now part of the past, joining their comrades: the Adverts, the Vibrators, the Sex Pistols, Generation X, Wire, TRB, Penetration, and on and on. They are survived by the bedraggled remains of such once mighty bands as the Clash, the Stranglers, the Damned and the Jam. Since a lot of people know the Buzzcocks only through their US lps Singles Going Steady and A Different Kind Of Tension, it seems worthwhile to look back at their other accomplishments, which are by no means negligible.

The Buzzcocks were formed by Howard Devoto and Pete Shelley after Devoto saw one of the Sex Pistols first gigs in late 1975. They added John Maher as drummer and Steve Diggle on bass, exact assignments being rather unimportant as none of them knew how to play when they began, but being enterprising art-school types, they didn’t let that stop them. By July of 1976 they were opening for their mentors, the Pistols, at the Lesser Free Trade Hall in their hometown of Manchester. In January of 1977 they released their only record with Devoto, the four song Spiral Scratch ep, a crudely recorded piece of minimalist punk that isn’t really top flight Buzzcocks material despite the reverence in which many people seem to hold it. The songs themselves hold up quite well compared with their other material; in fact the Buzzcocks retained two of the cuts in their live set throughout their career. It’s mainly the recording quality that sets the record back. A widely circulated bootleg of outtakes from the Spiral Scratch sessions (entitled alternatively Time’s Up or The Best In Good Food) rounds out the Devoto era story.

Shortly after the ep was released the much ballyhooed but overrated Devoto split with Shelley to form his own band, Magazine, leaving Shelley with a number of song ideas which eventually bore fruit on the first Buzzcocks album. Under Devoto, the band had displayed a dark and artsy side, but Shelley soon demonstrated that the Buzzcocks were better suited for his real life pain-of-love songs. Recruiting bassist Garth (noted for his Girth), they signed with UA in August of 1977 and began a string of incredible 45s with the October release of "Orgasm Addict", which served notice of Shelley’s sex starved preoccupations ("You’ve even made it with the lady / Who puts the little plastic robins on the Christmas cakes!"). The flip, "Whatever Happened To…" is also a classic with its great opening bass and the immortal observation "Your love is a cashed in check". Right from the start it was obvious that Shelley would deal with love like no one in rock before him.

After the first single, Garth left the band, eventually winding up in New York’s Dirty Looks under a different name. His replacement, Steve Garvey (not the Dodger’s first baseman, but the Buzzcock’s third bassman - groan!), brought a stability to the band that lasted until their split this year, and in February of 1978 they had another 45 with "What Do I Get"/"Oh Shit". The 120 beat per second drums and blurry hand on the rhythm guitar which create the trademark Buzzcocks sound were in full flower on both these songs of heartbreak. Shelley deals with his emotions realistically…not for him the wimpy "My woman left me, I’m so sad" drippiness that’s generally equated with love songs, but with "Oh shit, I thought you and I were friends, Oh shit, I guess this is where our love ends" and "What do I get, no love. ‘Cos I don’t…get you."

The singles you are likely to have heard, but the first two Buzzcocks albums were issued in the UK only and can only be had on import here. Too bad, because they certainly contain a heavy load of great songs that never made it to a single. In March of 1978, the band released the splendid Another Music In A Different Kitchen, which they supported with a UK tour with the Slits. The Kitchen lp could have easily spawned at least four other singles besides "I Don’t Mind"/"Autonomy". "Fast Cars", an older Shelley/Devoto composition, is one of the few variants from the emotional explorations where Shelley is usually to be found, but it has all the drive you’d expect from a Buzzcocks cut. "Get On Our Own" features a warblingly adventurous vocal and yet more speed. Another Shelley/Devoto song, "Love Battery" was also on the Time’s Up boot in a much more raw form. Here it excels. "Fiction Romance", "No Reply", "I Need" and "You Tear Me Up" are all first rate, making Another Music In A Different Kitchen a stunning debut.

In May 1978 the band toured with Penetration (whose Pauline Murray would later work with John Maher in the Invisible Girls) and in June they released the 1:45 single "Love You More"/"Noise Annoys". "Love You More" starts optimistically enough with "…with every heartbeat I want you madly" but comes to the abrupt conclusion "that after this love there’ll be no other / Until the razor cuts".

In September, a mere six months after the first album, the band had a follow up ready and a superb one at that: Love Bites. Along with the lp came another single release: "Ever Fallen In Love"/"Just Lust". The A side of this 45 is probably the pinnacle of the Buzzcock’s style; fast, racy, filled with hooks and catchy lyrics. If you can avoid dancing when this is on your turntable then you’re either deaf, a paraplegic, or dead. Amazingly, this was their only UK chart single, peaking at #12.

The Love Bites lp was loaded with more treats, too. "Nostalgia" and "Sixteen Again" are as good as any of the band’s singles. "Love Is Lies" is an interesting change of pace; the Diggle penned tune is a hard edged acoustic cut with Steve on the lead vocal. "Love Bites" would be every bit as good as the first album but it fades a little with the two instrumentals at the end, both of which are good but would be better with lyrics. Still, another classic.

Diggle and Shelley teamed up for the next A-side, "Promises", featuring those trademark "oh-oh" vocals and Shelley’s pleading "How could you ever let me down?". The flip, featuring a bass line that sounds like the approach of Godzilla, has the same music as the Magazine masterpiece "Shot By Both Sides", for which Howard Devoto wrote his own lyrics to Shelley’s tune.

After a November 1978 tour with the Subway Sect the band took a long pause until March of 1979 when they released "Everybody’s Happy Nowadays" / "Why Can’t I Touch It". The lighter pop feel of the A side and the slower flip were not appreciated; the B side is just too long, but the A side was unfairly criticized; it certainly has fine lyrics and a great staggering drum beat.

To support the single the band toured with the fledgling Gang Of Four culminating in the Loch Lomond Festival in May. Back to the studio again in July they came out with Steve Diggle’s roaring "Harmony In My Head", one of the band’s finest slabs of sound and certainly an un-pop response to the barbs endured by the previous single. I still don’t know what this song’s about, but it’s great just the way it sounds. The flip, "Something’s Gone Wrong Again" is aptly named; it’s not one of their better B sides and drags on too long.

After "Harmony", the Singles Going Steady album introduced the US to the band and they arrived with Gang of Four in tow to support the record. Returning home in September, they issued their last really good single, "You Say You Don’t Love Me", to coincide with the new lp A Different Kind Of Tension. Despite the promise of the 45, the album was a disappointment (1997 editorial note: I can’t believe I wrote these words back in 1981 since for many years now I’ve thought their last album was their very best!); too many of the songs were bloated out to four minutes or more, whereas all the best Buzzcocks stuff clocked in around 3:00 or less. The best cuts were the shortest; the 45, "Paradise", "I Don’t Know What To Do With My Life", and Diggle’s "You Know You Can’t Help It". "Hollow Inside" and the title track, both over four minutes, make a stab at a higher level of meaning but instead become pretentious failures (although Brian would disagree with me about "Tension"). "I Believe" was an excruciating 7 minutes long on the lp but was released in the US as a 45 edited to a more manageable and enjoyable 3:30.

In October the band toured the UKL again with Joy Division and returned to the US with the Fall in November and December. Upon arrival back in the UK the members embarked on various individual projects during the first half of 1980; John Maher with the Invisible Girls and another UK pop band, the Things, Shelley with a solo lp called Sky Yen which as far as I know was never released, and Diggle with some solo work on which Maher and Garvey assisted, resulting in the industrial sound of the Comparative Wealth ep.

Recognizing that singles were the medium for their greatest successes, the band decided on a concept package of singles which resulted in the August 1980 release of "Are Everything"/"Why She’s A Girl From The Chainstore" followed by October’s "Airwaves Dreams"/"Strange Thing" and November’s "What Do You Know"/"Running Free". Except for "What Do You Know" this packaging of songs contained the most unlistenable Buzzcocks material ever released (1997 note - another piece of writing that hasn’t held up as well as the music it’s about…man, this is embarrassing!). The one good cut was aided by the successful addition of horns to the band’s sound, but by the time "What Do You Know" was out the handwriting was on the wall; the critics deserted the band, sales were at rock bottom, and even the fans were shaking their heads. The Buzzcocks were through.

So now we see Shelley out on his own with a new and sterile sounding single; drum machines replacing the lively Maher and synthesizers instead of Diggle’s racy licks. Diggle has had his own single with help from the other Buzzcocks; he’s trying for a Killing Joke kind of sound. Maher is now drumming in Wah! And of Garvey there’s not much to be heard.

But what a legacy the Buzzcocks have left! Three of the four available Buzzcocks albums are pure electricity. Of 14 singles 10 are at least very good, and most of those are brilliant. A fabulous heritage, one which you’ll be able to look back on in 20 years when you’re dreaming that you’re almost 16 again and you’re wondering what ever happened to falling in love with someone you shouldn’t have fallen in love with. The Buzzcocks could’ve told you.

#29 danijela

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Posted 28 September 2003 - 14:54

--------------------------
Born Under Punches
--------------------------

Take a look at these hands.
Take a look at these hands.
The hand speaks. The hand of a government man.
Well I'm a tumbler. Born under punches.
I'm so thin.

All I want is to breathe I'm too thin
Won't you breathe with me?
Find a little space, so we can move in-between In-Between it
And keep on step ahead, of yourself.

Don't you miss it, don't you miss it.
Some 'a you people just about missed it!
Last time to make plans!
Well I'm a tumbler...
I'm a Government Man.

Never seen anything like that before
Falling bodies tuble 'cross the floor Well I'm a tumbler!
When you get to where you wanna be Thank you! Thank you!
When you get to where you wanna be Don't even mention it!

Take a look at these hands. They're passing in-between us.
Take a look at these hands
Take a look at these hands. You don't have to mention it.
No thanks. I'm a Government Man.

And the heat goes on...And the heat goes on...And the heat goes on...
And the heat goes on...Where the hand has been...And the heat goes
on...And the heat goes on...And the heat goes on...And the heat goes
on...And the heat goes on...And the heat goes on...And the heat goes
on...Where the hand has been...And the heat goes on...And the heat goes on...

I'm not a drowning man!
And I'm not a burning building! (I'm a tumbler!)
Drowning cannot hurt a man!
Fire cannot hurt a man. (Not the Government Man.)

All I want is to breathe Thank you. Thank you
Won't you breathe with me?
Find a little space...So we move in-between I'm so thin
And keep one step ahead of yourself. I'm catching up with myself

All I want it to breathe
Won't you breathe with me Hands of a Government Man
Find a little space so we move in-between
And keep one step ahead of yourself. Don't you miss it! Don't you miss it!

And the heat goes on...And the heat goes on...And the heat goes on...
And the heat goes on...And the heat goes on...And the heat goes on...
And the heat goes on...And the heat goes on...And the heat goes on...
Where the hands has been...And the heat goes on...And the heat goes on...
And the heat goes on...

#30 al bundy

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Posted 29 September 2003 - 15:26

NOVI KOLEKTIVNI UGOVOR


BOLOVANJA

Više se ne prihvaća "Potvrda o privremenoj nesposobnosti za rad" kao dokaz
bolesti. Ako možete stići do doktora, možete stići i na posao.


OPERACIJE

Operacije su strogo zabranjene. Dok ste zaposleni u poduzeću, potrebujete
sve svoje organe. Ne smijete si dopustiti, da vam nekoga od njih operativno
odstrane. Zaposlili smo vas cijeloga, zato će se svaki operativni zahvat na
vašem tijelu tretirati kao gruba povreda radne discipline.

PRAZNICI

Svaki zaposleni dobiti će rješenje o korištenju 104 praznika godišnje. To
su sve subote i nedjelje.

SMRT DJELATNIKA

Smrt djelatnika je prihvatljiva kao opravdanje za izostanak s radnog
mjesta, ali uz uvjet da je o tome prethodno izviješten poslodavac -
najmanje 14 dana prije nastupa događaja, kako biste u tom razdoblju mogli
pripremiti svog nasljednika za preuzimanje poslova u tijeku.

UPORABA ZAHODA

Ustanovljeno je da se zaposleni previše vremena zadržavaju na zahodu.
Ubuduće će Uprava prirediti raspored korištenja toaletnih prostora po
abecednom redu. Na primjer:
Svi zaposleni s prezimenom na A obavljaju svoje potrebe na zahodu u vremenu
od 8:00 do 8:20. Svi zaposleni kojima prezime počinje slovom B obavljaju
svoje potrebe od 8:20 do 8:40 i tako redom...
Ako u određenom razdoblju ne obavite svoje potrebe na zahodu, morat ćete
pričekati slijedeći dan kad opet budete na redu. Osim toga je novom uredbom
vrijeme korištenja ograničeno na 3 minute. Po isteku tog vremena oglasit će
se alarm, automatski će nestati toaletnog papira, a vrata kabine će se
otvoriti.

ODMOR ZA RUČAK ILI MARENDU

Mršavim ljudima pripada sat vremena za ručak jer moraju više jesti da bi
izgledali zdravi. Ljudima normalne težine pripada 30 min odmora, tako da
uspiju održati težinu. Debeli imaju samo 5 minuta vremena, da pojedu pilulu
za mršavljenje i popiju čašu dijetnog napitka.

PRAVILA OBLAČENJA NA RADNOM MJESTU

Preporučljivo je da se oblačite primjereno svojim prihodima. Postane li
ocito da nosite skupu odjeću, poslodavac će iz toga zaključiti da vam
je imovno stanje solidno te da za rad ne trebate plaću.

PRELAZNE ODREDBE

Svaki je djelatnik moralno obvezan svojem poduzeću. Poslodavčeva je dužnost
da vam ugodi i da vam omogući da se dobro osjećate na radnom mjestu, stoga
sva pitanja, komentare, probleme, pritužbe, ljutnje, uznemirenost ili
prijedloge u vezi ovog Kolektivnog ugovora trebate izvijestiti drugog
poslodavca koji je vezan istim Ugovorom.

Ove uredbe stupaju na snagu čim ih pročitate.
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zvucci poznato? :lol: